Since the iconic images of a moving galloping race horse were revealed in 1887 by English photographer Eadweard Muybridge, high-speed photography has come on in leaps and bounds. Multiple cameras are no longer needed to capture motion, just one, usually hideously expensive, camera is required (and some fancy equipment).
High-speed photography allows us to view things that ordinarily move too quickly for us register as a single image. Everyday events such as a drop of water falling into a bowl are suddenly transformed into liquid sculpture. Beauty and art replace the mundane.
Those who specialise in high-speed photography are masters of patience. Trying to capture the perfect shot takes some setting up, and although there are various ways to catch the images, seemingly frozen in time, many photographers have their own personal technique, which they guard closely. The most common technique is to use high-speed flashes with quick shutter times. The images are often then polished up in Photoshop, or some digital imaging package, but only the background and shadows are manipulated, the actual fluid shape is left untouched.