Ulrike Arnold travels the world to create abstract site-specific works on canvas using pigments taken from the earth.

Bryce Canyon, Utah Photo: Anselm Spring

All images used with permission of the artist

One day, Ulrike Arnold saw deep red colors of the ochre pits. It proved to be life-changing experience. She traveled to the volcanic island of Lanzarote, where she painted in craters and the idea to paint on site was born. Now, Ulrike travels to remote locations to create abstract works on canvas, using pigments from the earth.

She is a process artist. In her work, the creation and structure are integral parts of the same process. Her choice of materials shows the deteriorating effect of time. She pounds soil into dust, mixes it with oil and wax and, finally, transfers it to her canvas by hand.

Earth Aamples Photo: Anselm Spring

The rest of her work is left to natural forces: time, gravity, temperature and atmosphere. Her earthworks are organic, feminine and eternal. She intergrates systems of nature into art. Arnold’s work formalizes the interest in entropy, while creating an aesthetic experience.

Working on site in Luna Mesa, near Hanksville, Utah Photo: Anselm Spring

Her work recreated geological landscapes of Armenia, Africe and India. But the most special for her is Utah with its canyons and strong earthy colors. Sensitive to the immensity of American landscape, she gives it archeological and lyrical character.

Notom, Utah(near Capitol Reef) Photo: Anselm Spring

She tries to penetrate unknown and simultaneously pursue pictorial effectst in a decorative manner. Currently, Arnold is working in her studio in Duesseldorf on a series consisting of “stardust” material form meteorites, which she gets from her scientist friend. More information can be found on Ulrike Arnold’s website.